To a brighter tomorrow (hopefully?)

Gallow Green at the McKittrick Hotel (by now I’m sure we all know this is not actually a hotel, but home to the interactive theater phenomenon Sleep No More) is one of last summer’s newest rooftop.  It feels new again – as new as the sun will feel after today’s torrential rain – since it no longer requires a $20 minimum with your reservation (I promise, it’s not a comedy club).  But it is still a playground for young/alternative actors (I’m guessing the SNM understudies) looking to spend the evening entertaining elevators full of captive guests.

 View from inside the old train car

Indeed, the elevator ride up to the roof lasts longer than it should for a 8th level roof and feels more than just a bit like the Tower of Terror ride at Disney’s MGM Studios.  The McKittrick crew certainly does not seem to give up on their old-timey theme, decorating the roof with a Guimardian-style roof (your fair 1920s skin mustn’t be tainted by the sun’s rays), an abandoned train car and tracks and ripped lace dangling from various lamp posts and trees and such.

Empire State Building through ripped lace

Speaking of trees, the other theme of the roof is that of a garden so it is very beautiful, very airy and very green, as the name may suggest. 

The bathrooms even take on a garden shed feel with tools hung up on the walls (I hung my bag on a shovel, although I’m sure you weren’t really supposed to do that).

There are a lot of tables for smaller groups, but fewer areas for larger groups.  The crowd was older than I had expected for a Wednesday evening happy hour, and unfortunately the mingling between groups was slim to none.  The menu is mostly haut appetizer fare, so I don’t suggest coming here if you’re hungry.  I will suggest wearing wedges if you are girl since the footing is pretty unstable (ahem, train tracks) and I would definitely recommend trying the new Stella Cider!  It was delish.

Armory Show Favorites: Contemporary

Before I chose my top two favorites from this weekend’s Contemporary collection at the Armory Show (the Julian Opie and the Shinichi Maruyama) I didn’t realize what they had in common; both are depictions of dancers.  While obvious in Eric and Sarah 5, it is hard to tell the precise subject of the two “Nudes” by Maruyama without the photographer’s description (from his website, italics added by me): “[The figure] is created by combining 10,000 individual photographs of a dancer.  By putting together uninterrupted individual moments, the resulting image as a whole will appear to be something different from what actually exists.”  Dance is very personal to me so I am not at all surprised that I was drawn to something that, even just abstractly, represents dance.

My next set of favorites were the Ryan McGinness acrylics.  I love color so automatically my eye went straight to these, but as I came closer, there appeared to be an almost Near East spirituality to the artistry with images of what seem to be temples on hill, ornate calligraphy and, of course, plenty of color.  I was happy, then, when looking at the names of the pieces (which often in contemporary art do not help you dissect the piece at all) confirmed that the artist did have some kind of spiritual agenda.  The one I liked most happened to be called Finding Infinity (featured) which happens to be appropriate given my upcoming trip to practice yoga in India.

Artist Appreciation

Today marks the opening of the annual Armory Show, an international modern and contemporary art fair in its fifteenth year in New York City.  In just four days, you could discover the biggest, brightest star making waves in the art world today – check out contemporary artists at Pier 94 – or you might uncover a rare Picasso, Matisse or Pollack – check out modern artists at Pier 92.  Just have an open mind, some of the works are, to put it lightly, interesting.

Check out my favorite pieces from last year’s fair.  These below didn’t quite make the cut of favorites, but they certainly are interesting.

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